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拍品专文
Dr. Anne Lowenthal accepted the present work as an autograph painting by Joachim Wtewael, noting a relationship with a drawing of the same composition in the Kupferstichkabinett of the Staatliche Museen, Berlin, which may be a preparatory work. An additional drawing in the Kupferstichkabinett of the same format and subject relates to the figure of Bacchus.
The subject, Sine Cerere et Libero (meaning 'without food and wine, love will grow cold'), was adopted from a quotation from Eunuchus, a Roman comedy by the 2nd century BC Roman playwright Terence. It implied that love, personified by Venus, could not thrive without feasting, represented by Ceres, goddess of Agriculture, and Bacchus, God of Wine. It was a popular theme in seventeenth-century Northern art as a moralising tale against the dangers of overindulgence.
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This painting is executed on a copper plate, which has later been partially laid down on artist's board. The plate remains flat and stable.
In natural light the painting presents well. There is visible scattered retouching in the flesh tones and evidence of thinning of the upper paint glazes in the darks in the background and in the fruit, lower-centre. Examination under UV reveals evidence of strengthening in the features of the faces and in elements of the drapery. Elements of a historic varnish remain to the edges of the composition. The bright colours of the drapery and effect of the tight composition remain effective.