This report was prepared by Simon Parkes Art Conservation, Inc.:
This work has an old lining. The paint layer is stable and in lovely condition. There are no retouches visible under ultraviolet light. The signature and date in the lower right are clearly un-abraded. It does not seem that this work has suffered at all. The thinness of the paint layer is perfectly preserved. The work may be slightly dirty and might respond to cleaning, but it is recommended that the work be hung as is.
The condition of lots sold can vary widely due to factors such as age, previous damage, restoration, repair, and wear and tear. The nature of the lots sold means that they will rarely be in perfect condition. Lots are sold in the condition they are in at the time of sale.