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IMPORTANT ENGLISH CERAMICS FROM THE STANLEY F. GOLDFEIN COLLECTION (LOTS 63-81)

A WEDGWOOD & BENTLEY BLACK BASALT ENCAUSTIC-DECORATED CANOPIC JAR AND A ROSSO ANTICO CANOPIC JAR AND COVER

THE FIRST CIRCA 1773, APPLIED WEDGWOOD & BENTLEY ETRURIA CIRCULAR PAD MARK, THE SECOND CIRCA 1800, IMPRESSED UPPERCASE MARK

Name: A WEDGWOOD & BENTLEY BLACK BASALT ENCAUSTIC-DECORATED CANOPIC JAR AND A ROSSO ANTICO CANOPIC JAR AND COVER
Brand: THE FIRST CIRCA 1773, APPLIED WEDGWOOD & BENTLEY ETRURIA CIRCULAR PAD MARK, THE SECOND CIRCA 1800, IMPRESSED UPPERCASE MARK
Price: 17000.00 GBP
Availability: SoldOut

Price Realised GBP 21,420

Estimate

GBP 4,000 - GBP 6,000

Closed: 23 Oct 2024

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A WEDGWOOD & BENTLEY BLACK BASALT ENCAUSTIC-DECORATED CANOPIC JAR AND A ROSSO ANTICO CANOPIC JAR AND COVER

THE FIRST CIRCA 1773, APPLIED WEDGWOOD & BENTLEY ETRURIA CIRCULAR PAD MARK, THE SECOND CIRCA 1800, IMPRESSED UPPERCASE MARK

Price Realised GBP 21,420

Closed: 23 Oct 2024

Price Realised GBP 21,420

Closed: 23 Oct 2024

The basalt example modelled in one piece, with the head of a pharaoh, painted in red-orange 'encaustic' in the Egyptian taste with birds, a large scarab beetle, birds and other animals, the reverse with gods, including Anubis, the rosso antico example with the cover modelled as an Egyptian bust wearing a headdress, the jar decorated with bands of Signs of the Zodiac, Hieroglyphics and Egyptian Gods, above scroll and lotus pedestals, on a domed spirally-moulded foot and square plinth base decorated with dentil ornament
The first 14¹⁄₄ in. (36.3cm.) high; the second 10⁵⁄₈ in. (27cm.) high

The rosso antico example with Seal Simons, Philadelphia Pa. according to paper label.

The basalt example Exhibited at the Institute of Fine Arts, W.S.N.Y. 1982, according to paper label.

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Lot Essay

Josiah Wedgwood was an early pioneer of Egyptomania, in 1771 he wrote to Bentley: 'Are not Canopus's a good middle sized vase for paintthe nozzle and other parts may be screw'd fast together for those who choose them', see Robin Reilly, , Vol. I, London, 1989, p. 418 and see fig. 581 for a basalt encaustic decorated example of this model in the V& A Wedgwood Collection (accession no. WE.7807-2014). The design was inspired by ancient Egyptian vessels designed to hold the internal organs, or viscera, of the deceased. While emulating the shape of ancient original canopic jar, Wedgwood has captured the appeal of these mystical and exotic objects, converting them into fashionable and decorative chimney ornaments. Wedgwood drew on a number of archaeological publications for both the design and decoration of his ornamental basalt wares, and in this instance the shape and decoration of the basalt example are closely based on Bernard de Montfaucon’s , 1719, Vol. II, pl. CXXXII, which shows four views of the jar.

The Signs of the Zodiac were drawn by Mary Landré in 1774 and modelled by William Hackwood. See the rosso antico canopic jar in the collection of the National Trust, Stourhead, (NT 730562).

1. See Robin Reilly, , Vol.. I, London, 1989, p. 418, fig. 581.