Details
Each of bombé form with a molded brocatello di Spagna marble top, its two drawers and sides quarter-veneered and with foliate-cast ormolu handles and escutcheons, on cabriole legs with conforming sabots atop scroll feet, each commode respectively numbered in black ink '27' and '28'?
3612 in. (93 cm.) high, 47 in. (119.4 cm.) wide, 2312 in. (60 cm.) deep
Provenance
Acquired from Giuseppe Rossi, Turin, 1967.
Anonymous sale; Christie's, London, 4 July 2017, lot 80.
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Lot Essay

The gentle shaped form of the carcases, the distinctive quarter-veneering and the cleverly-integrated ormolu sabots relate these commodes to the best production of the Turinese cabinetmakers of the second-quarter and middle eighteenth century. The way in which the ormolu chutes and sabots relate to the commode bodies is very similar to other examples produced in the Kingdom of Sardinia-Piedmont, such as a chest of drawers illustrated R. Antonetto, Il Mobile Piemontese del Settecento, Vol. II, Turin, 2010, p. 47; and another possibly by the workshop of Luigi Prinotto, see E. Colle, Il Mobile Rococo in Italia, Milan, 2003, p. 431. Of particular elegance on our commodes are the gracefully shaped marble tops, which recall the fluid lines of veneered tops of contemporaneous case furnishings from Piedmont. This lot is also reminiscent of the oeuvre of the celebrated court ébéniste Pietro Piffetti (1700-1777) and could well be the production of talented craftsmen such as Giovanni Galletti (1735-1812) who were working along the influence of the Piedmontese master.

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