拍品 105
拍品 105
PROPERTY FROM THE COLLECTION OF GLENN AND PATRICIA RANDALL, CLARENDON COURT, NEWPORT, RHODE ISLAND
A SET OF FOUR OF ENGLISH GILTWOOD WALL LIGHTS

20TH CENTURY OR POSSIBLY EARLIER

估價
USD 10,000 - USD 20,000
估價並不反映實際成交價,亦不包括買家應付酬金、任何適用稅項或藝術家轉售權。詳情請瀏覽業務規定D部。
Loading details
登記
分享
A SET OF FOUR OF ENGLISH GILTWOOD WALL LIGHTS

20TH CENTURY OR POSSIBLY EARLIER

登記
登記
詳情
Each with a bird finial, possibly a vulning pelican, above a body carved with tassels and strapwork, the arms apparently original but the drip-pans and nozzles probably replaced
30 in. (76.2 cm.) high, 5 in. (12.7 cm.) wide, 1012 in. (26.7 cm.) deep
拍賣場通告
Please note the cataloguing has changed for this lot.
榮譽呈獻
Sale Enquires Collections: New YorkCollections: New York
佳士得專家或會聯絡閣下,以商討此拍品,又或於拍品狀況於拍賣前有所改變時知會閣下。瀏覽狀況報告

拍品專文


These stately wall lights are designed in the Louis Quatorze Roman fashion popularized by the goldsmiths' patterns issued in the late 17th century by the Paris-trained architect Daniel Marot (d.1752) in his Nouveau Livre d'Orfevrerie. In particular they relate to a suite of tall golden gueridon candlestands, enriched with tasseled lambrequins supplied in the late 1690s for William III's Hampton Court Palace by the Huguenot craftsman Jean Pelletier (T. Murdoch, 'Jean, Rene' and Thomas Pelletier, Part I', Burlington Magazine, November 1997, p. 733, fig. 3).

These wall lights are related to a pair that appears a 1903 photograph of the Chapel Room at Bramshill, Hampshire (reproduced in H. A. Tipping, English Homes, period III, 1927, p. 299, figs. 37-378). Described as 'hanging lights attributed to Daniel Marot', they featured in C. Hussey's article entitled 'Mirrors and Georgian Furniture at Bramshill' published in Country Life, 2 June 1923 (p. 799, fig. 1). The bracket finials of orbs capped by birds can be related to another of Marot's patterns for an eagle-capped barometer. The Bramshill wall lights may have been commissioned by Sir John Cope, 5th Baronet (d.1721) along with another similar pair bearing the crest of the Earl of Radnor (illustrated in P. Macquoid and R. Edwards, The Dictionary of English Furniture, 1924, vol. III, p. 61, fig. 11). The Bramshill wall lights descended in the Cope family and were subsequently gifted to the Metropolitan Museum of Art by Judge Irwin Untermyer in 1964 where they are now on view. They are illustrated in Y. Hackenbroch, English Furniture with some furniture of other countries in the Irwin Untermyer Collection, Norwich, 1958, pl. 155, fig. 187 and were exhibited in The Age of Walnut, London, 1932. Another pair of this model, formerly with Hotspur and possibly made en suite with the other Bramshill pair, was sold anonymously, Sotheby's New York, 7 April 2004, lot 185. A further pair of similar character is in the collections at Temple Newsam House, Leeds (illustrated in C. Gilbert, Furniture at Temple Newsam House and Lotherton Hall, Leeds, 1978, vol. II, no. 308).

A related pair of wall-lights with unusual peacock finials was in the collection of Jayne Wrightsman, sold Christie's, New York, 14 October 2020, lot 113 ($62,500).

相關文章

Sorry, we are unable to display this content. Please check your connection.

更多來自
名家珍藏:包括格倫‧蘭德爾、傑佛瑞‧蘭特和彼德‧范‧斯萊克三大美國東北部藏家珍藏
參與競投
狀況報告 

佳士得專家或會聯絡閣下,以商討此拍品,又或於拍品狀況於拍賣前有所改變時知會閣下。

查閱狀況報告