Lot 378
Lot 378
PROPERTY FROM A PRIVATE COLLECTION
A LARGE VICTORIAN ADAM REVIVAL GILTWOOD AND COMPOSITION MIRROR

CIRCA 1870-80, POSSIBLY BY NOSOTTI, LONDON

Price Realised GBP 6,300
Estimate
GBP 6,000 - GBP 8,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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A LARGE VICTORIAN ADAM REVIVAL GILTWOOD AND COMPOSITION MIRROR

CIRCA 1870-80, POSSIBLY BY NOSOTTI, LONDON

Price Realised GBP 6,300
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Price Realised GBP 6,300
Register
Details
The oval plate overlaid with a berried laurel wreath border with further entwined laurel sprays punctuated by rosettes, with a scrolling foliate cresting and a similar pierced foliate ribbon-tied apron
80 in. (203 cm.) high; 46 in. (117 cm.) wide
Brought to you by
Benjamin BerryHead of Sale, Associate Specialist
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.View condition report

Lot Essay

It is believed the firm of C. Nosotti began in 1822 as evidenced by an early Victorian mirror sold Christie’s, London, 9 December 1992, lot 402 bearing the label ‘C. Nosotti, House ... Looking Glass Manufacturer 397.398 Oxford Street 399.399, established 1822.’ In 1829, Francis Nosotti, looking glass and picture frame maker, is listed at 298 Oxford St, while Andrea Charles Nosotti is listed at 2 Dean St., Soho, from 1835-40, trading as carver, gilder, upholsterer and cabinet maker. Almost certainly born in Milan, Andrea Charles Nosotti’s high standard of workmanship led him to exhibit a giltwood cabinet at the 1862 London Exhibition that he had made for the Countess of Waldegrave's drawing room at Strawberry Hill. The cabinet is illustrated in J. Meyer, Great Exhibitions 1851-1900, London, 2006, p.167. Further commissions came from the millionaire industrialist John Allcroft at Stokesay Court, Shropshire. Nosotti advertised furniture in the Art Journal Catalogue of the International Exhibition, 1867, noting that his firm enjoyed the patronage of the Princess of Wales. He later collaborated with the leading Victorian makers Howard and Sons.

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Condition report

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View Condition Report