Details
BANKSY, DAMIEN HIRST (B. 1965) AND VARIOUS ARTISTS
In the darkest hour there may be light
the complete portfolio of 23 prints including lithographs, digital photographic prints and screenprints, 2006, on various papers, each signed in pencil or ink, each numbered AP 27/29, an artist's proof set aside from the edition of fifty, co-published by The Serpentine Gallery & Other Criteria, London, within the original cloth-covered box with the digital photographic print on the front

The Banksy in this lot is offered with the new Certificate of Authenticity from Pest Control.
Sheet 298 x 420 (each)
480 x 340 x 55 mm. (portfolio)
Provenance
A gift from The Serpentine Gallery, London, to the artist Tom Ormond, one of the contributing artists to the portfolio.
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Lot Essay

In the darkest hour there may be light includes Banksy's digital pigment print Napalm (Can't beat the Feeling) and Damien Hirst's screenprint with glaze Blue Butterfly.

The contributing artists to the portfolio were Banksy, Don Brown, Angela Bulloch, John Currin, Tracey Emin, Angus Fairhurst, Steven Gregory, Marcus Harvey, Damien Hirst, Rachel Howard, John Isaacs, Michael Joo, Jeff Koons, Jim Lambie, Sean Landers, Tim Lewis, Sarah Lucas, Nicholas Lumb, Tom Ormond, Laurence Owen, Richard Prince, Haim Steinbach and Gavin Turk.

The special edition of Napalm (Can’t beat the feeling) in black with a red ‘blood splatter’ was issued in the portfolio as a signed edition of fifty following the 2004 screenprinted version in black, grey and yellow.

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