Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
"I consider my work non-objective and I think abstract is an abstraction of something, like a landscape. Abstraction means something is abstracted. It relates to something. Non-objective relates to nothing. It has no object." -Pat Steir
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You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
In addition to the catalogue description, with full margins, in generally very good condition, pinpoint discolored areas in the silk fabric, a hinge remain on the reverse lower left sheet edge, framed
Kyoto Chrysanthemum: woodcut in colors, on Kayasuki paper, 1982, signed and dated in pencil, numbered 118/200 (there were also twenty artist's proofs), published by Crown Point Press, Oakland, California, with their blindstamp, with full margins, pale mat staining, otherwise in generally very good condition, framed Image: 141⁄2 x 201⁄4 in. (368 x 514 mm.)
Sheet: 161⁄4 x 211⁄2 in. (413 x 546 mm.)
Please note that this lot consists of two framed pieces.