The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

In addition to the catalogue description, with full margins, framed

Please note that #33 (hillside streets) is framed and #9 (the artist drew the plate during a modeling session with several artist friends) and #25 (Phyllis leaning her head on the arm of couch) are unframed.

#9 (the artist drew the plate during a modeling session with several artist friends), from 41 Etchings Drypoints, etching, on Rives BFK paper, 1965, signed and dated in pencil, titled '#9', numbered 23/25 (there were also ten artist's proofs), published by Crown Point Press, Berkeley, California, with full margins, pinpoint foxmarks in places in the margins, pale surface soiling and soft handling creases in places in the margins, tape remains in places on the reverse upper sheet edge, otherwise in generally good condition
Image: 6.3/8 x 7 in. (162 x 178 mm.)
Sheet: 18.1/8 x 15 in. (460 x 381 mm.)

#25 (Phyllis leaning her head on the arm of couch), from 41 Etchings Drypoints, etching, on Rives BFK paper, 1965, signed and dated in pencil, titled '#25', numbered 20/25 (there were also ten artist's proofs), published by Crown Point Press, Berkeley, California, with full margins, very pale surface soiling in places in the margins and on the reverse, otherwise in very good condition
Image: 8.3/4 x 7.1/8 in. (222 x 181 mm.)
Sheet: 17.3/4 x 14.3/4 in. (451 x 375 mm.)