These eight screenprints by David Salle offer a bewildering and provocative mixture of imagery and broken narratives. Each image is divided into a grid of six equal parts, and printed with different colors. These colored grids overlay a dizzying array of line drawings of comic-book style figures, animals, and settings. While recurring figures and motifs, such as a line drawing of a revolving door, might suggest a connective thread, this manic mélange of imagery overpowers its storyboard structure. Salle himself seems to be the drunken chauffeur eluded to in the title, guiding his viewer through a wild ride of pop imagery. Salle is usually identified with the Postmodern movement for the range of cultural and artistic references found throughout his work.