Details
GOSHKA MACUGA (B. 1967)
Birch
coral, metal stand (after Eileen Agar), silver birch trunk and perspex case
overall: 5912 x 1818 x 1258in. (151 x 46 x 32cm.)
Executed in 2008
Provenance
Kate MacGarry, London.
Acquired from the above by the present owner in 2008.
Literature
M. Bracewell, The Dark Monarch: Magic and Modernity in British Art, London 2009, p. 174 (illustrated in colour, p. 78).
Exhibited
St. Ives, Tate St. Ives, The Dark Monarch: Magic and Modernism in British Art, 2009 - 2010.
Eastbourne, The Towner Art Gallery, The Dark Monarch: Magic and Modernism in British Art, 2010.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
-
Brought to you by

Lot Essay

"It is hard to find a comprehensive definition for Goshka Macuga’s work. It incorporates various languages, follows a personal streamof consciousness, organizes and orchestrates different worlds, making them coexist in sober balancing acts. Macuga curates,collects, carries out or completes other people’s projects… her primary approach is that of an independent researcher who takes unoriginal, anti-academic approach, identifying a starting point and then following an evolution dictated by chance and coincidence." -- M. Farronato
Christie’s is pleased to present Ambassadors of the Now, an exceptional selection of works from a leading collection offered across Day and First Open Online sales in 2021.
Ambassadors of the Now represents the efforts of an important private collection whose mission concentrates on raising arts awareness, supporting and lending to institutions, and nurturing London’s artistic community. Since the 1990s, the collection has constantly evolved, responding to new ideas and movements in art and growing with the artists and institutions it has supported.
Indeed, this collection understands the role of art within the everyday and, over the past two decades, it has worked to represent and amplify a diversity of voices and experiences. Drawing from the significant movements of the 20th and 21st centuries, the art of the collection is united by a courageous aesthetic thesis.
Conceptual works by John Baldessari, Richard Prince and Rirkrit Tiravanija + Superflex make clear the devotion to the vanguard. Such considerations are transmitted through the innovative vocabularies found in the more recent works of Wilhelm Sasnal and Abraham Cruzvillegas, among others. Yet the collection has always been invested in figuration, as seen in Tim Gardner’s hyperreal Friends at Wedding or the dreamy expanses of Justine Kurland’s photographic terrains.
Across the collection, colour is decadent, vibrant, and powerfully emotive. In works by Valeska Soares and Clement Rodzielski, it is a sweeping almost structural force. A similar expressive intensity can be seen in the collection’s considerable photographic holdings by artists such as Jeff Wall, Damián Ortega and Ugo Rondinone. Like these images, the collection too is forward-looking, connected, and incandescent. Coming together in a vivid ensemble, Ambassadors of the Now presents a vision of art’s place in the world and its role as a vehicle of personal expression.

Related Articles

Sorry, we are unable to display this content. Please check your connection.

More from
First Open: Post-War and Contemporary Art Online
Place your bid Condition report

A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

I confirm that I have read this Important Notice regarding Condition Reports and agree to its terms. View Condition Report