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A highly respected scholar and art historian, Dr. Rainer Crone was one of the foremost voices on Andy Warhol’s art and practice. Formally known as the University Professor emeritus of Contemporary Art and History of Film at Ludwig Maximilian University in Munich, Dr. Crone gained widespread recognition as the author of the first catalog raisonné for Andy Warhol’s works, published in 1970.
Dr. Crone began working with Andy Warhol in 1968 when he was gathering research for his doctorate at the University of Hamburg. Dr. Crone was funded by a two-year doctoral grant from the German government, without commercial backing or financial support from any individuals or galleries. The Ph.D. thesis that resulted served as the basis for the catalog raisonné, and both the thesis and raisonné went on to be regarded as the first European scholarly response to the work of Andy Warhol. Dr. Crone and Warhol would go on to continue working together on numerous books and projects until the artist’s death in 1987.
Though Dr. Crone passed in 2016, his collection tells a story through an art historian’s eyes. Warhol’s Portrait of a Dancer (John Butler) from Three Promenades with the Lord, with its crisp, steady ink line, illustrates Dr. Crone’s appreciation for Warhol’s early practice while a vibrant selection of works by Jonathan Lasker, Rosemarie Trockel, and Donald Baechler Dr. Crone’s eye for collecting contemporary works of the time. Through a plethora of various media, Dr. Crone’s collection tells a story of art and art history that illuminates the turn of the later half of the twentieth century.
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Condition report
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The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
This work has not been examined unframed. The plate is bowing, most notably to the center upper edge. Visible under raking light and close inspection, fine surface scratches, scuffs, handling marks, transfer marks and accretions are to the corner-tips and extreme edges. A fine linear scratch is near the upper center edge and a small abrasion is to the upper right quadrant. Another fine linear scratch is to center, visible under close inspection and raking light. A few pinpoint accretions are occasional, most notably to the lower right quadrant surrounded with an oil halo. A few handling marks are visible to the extreme edges. There is no apparent inpainting visible under ultraviolet light.