拍品 488
拍品 488
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A GEORGE II GREY-PAINTED 'KENTIAN' MIRROR

MID-18TH CENTURY

成交價 GBP 11,250
估價
GBP 4,000 - GBP 6,000
估價並不反映實際成交價,亦不包括買家應付酬金、任何適用稅項或藝術家轉售權。詳情請瀏覽業務規定D部。
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A GEORGE II GREY-PAINTED 'KENTIAN' MIRROR

MID-18TH CENTURY

成交價 GBP 11,250
登記
成交價 GBP 11,250
登記
詳情
The rectangular later plate surrounded by a foliate slip and egg-and-dart border, the cresting with break-out corners and centred by an acanthus-clasped and garlanded scallop shell, the sides hung with bellflowers, the reverse with remains of printed label for 'Thomas Ponsonby / 17 Piccadilly, The Haymarket', previously gilded
4912 x 35 in. (126 x 89 cm.)
來源
Acquired from Edward Hurst, July 2007.
特別通告
Specified lots (sold and unsold) marked with a filled square ( ¦ ) not collected from Christie’s, 8 King Street, London SW1Y 6QT by 5.00pm on the day of the sale will, at our option, be removed to Crozier Park Royal (details below). Christie’s will inform you if the lot has been sent offsite.If the lot is transferred to Crozier Park Royal, it will be available for collection from 12.00pm on the second business day following the sale.Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only.Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com.If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
榮譽呈獻
Benedict WinterAssociate Director, Specialist
佳士得專家或會聯絡閣下,以商討此拍品,又或於拍品狀況於拍賣前有所改變時知會閣下。
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拍品專文

The mirror bears the label of Thomas Ponsonby, ‘carver gilder and glass grinder’, who was listed at the 17 Piccadilly address from 1802-1819. Ponsonby's label appears on a mid-Georgian mirror in the collection of the Duke of Northumberland that was restored by him circa 1825 (C. Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds,1996, p. 376, fig. 736). While not commonly known today, he received substantial patronage of the Royal family, with documented work at Buckingham Palace and Frogmore. (G. Beard and C. Gilbert, eds., Dictionary of English Furniture Makers 1660-1840, Leeds, 1986, p. 705).

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