Charles Deforest Fredericks (1823–1894) learned the art of the daguerreotype from accomplished photographer Jeremiah Gurney in 1843, working together as business partners for a year. Fredericks traveled extensively in South America, introducing the new art form to Venezuela and taking some of the earliest daguerreotypes in Brazil and the Amazon.

He operated several studios during his career, including one in Havana and another at 585 Broadway (roughly Broadway and Prince St.) called The Photographic Temple of Art. His work can be found in the collection of The J. Paul Getty Museum Los Angeles; The Metropolitan Museum of Art, New York; and The National Portrait Gallery, Washington, D.C.

This handsome hand-tinted two-thirds plate daguerreotype of the City Hall in Havana, Cuba, is taken from an elevated position, showing the gardens and fountain in front of the main entrance. This building, officially known as the Palacio de los Capitanes Generales, served as City Hall in 1840, has a rich history. Originally, it housed the governor's residence and prison, as well as the city council's meeting place. The building's role evolved over time, including serving as the presidential palace after Cuba gained independence in 1898. In 1920, the president moved, and the palace became the city council's offices again, later evolving into the City Museum in 1968.