Name: Omer Uluc (Turkish, 1931-2010)
Brand: Untitled
Price: 35000.00 GBP
Availability: SoldOut

Omer Uluc (Turkish, 1931-2010)
Untitled
signed and dated 'Omer 2009' (on the reverse)
oil on canvas
59 x 117³⁄₄ in. (149.5 x 299cm.)
Painted in 2009

Anon. sale, Christie's Dubai 27 October 2009, lot 75.
Acquired at the above sale by the present owner.

This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

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拍品賣家為： Christie Manson & Woods Ltd

榮譽呈獻

拍品專文

“[In Uluc's new paintings], he will never remain in exactly one place, but there is little doubt of the consistency of his perspective. His point of departure is always related to the gesture, but not as a purely formal exercise. Uluc has resisted this notion from the beginning of his career. Looking at these quadriteral canvases, Uluc has made more specific references to animals. For example, there is a bat ray against a two-tone aguamarine ground, a red silhouette of a cat, encoded with a yellow aura, an orange sheep, a bird with the head of a cow, a female figure on all fours. Then there are the typically amorphous, less defined mammalians, fish and fowls, the pairing of shapes, the specters, suggestive of a range of complex human emotions -recalcitrance, anxiety, mendacity, diffidence, aggressive, love, Eros, and so forth. Uluc’s color in the new quadriteral paintings are persistently bold, never subdued, nearly, but never exactly emblematic.

They always cling on the edge to abstraction -to the gesture- but often move more deliberately into allegory, into the evocation of something other than itself, the memory of something given or repressive or held in check. These are paintings that indulge us on the psychological level and in relation to nature. They are semiotic paintings -not so much through intention but through how we perceive them […]”
--Robert C. Morgan, The Phantasmagoria of Omer Uluc, Istanbul, 2002.

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中東二十及二十一世紀藝術

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