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拍品專文
The handling of the chalk and the modelling around the eyes and mouth in the lively portrait study on the recto speak of the influence that Fontebasso’s master Sebastiano Ricci (1659-1734) exerted on his pupil’s draughtsmanship.
The reclining figure on the verso is similar to the central figure in the drawing of Six nymphs and two putti by a pool held in the Art Museum at Princeton (X1946-1). The latter drawing relates to an etching by Fontebasso dated 1744, (A. de Vesme, Le Peintre graveur italien, Milan 1906, 476, no. 5 ('Six nymphes et deux Amours dans un paysage').
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