JEFF KOONS (B. 1955)
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each signed, inscribed, numbered and dated 'WKSHP 2/2 Koons '89' (lower right margin)
four color lithographs
each: 36 x 28 in. (91.4 x 71.1 cm.)
Executed 1988-1989. These works are aside from an edition of 50 and 10 artist's proofs, each.

Provenance
Anthony d'Offay Gallery, London
Anon. sale, Phillips de Pury & Company, New York, 14 May 2010, lot 432
Acquired at the above sale by the present owner

Exhibited
Tokyo, Makuhari Messe, Pharmakon '90, 1990, (another example exhibited and illustrated).
Pasadena Art Alliance, Hollywood: Identity under the Guise of Celebrity, 1992, p. 45 (another example exhibited and illustrated).
Amsterdam, Stedelijk Museum; Arhus, Aarhus Kunstmuseum; Stuttgart, Staatsgalerie, Jeff Koons, November 1992-March 1993, p. 48-51 (another example exhibited and illustrated).
San Francisco Museum of Modern Art, Jeff Koons, December 1992-October 1993, fig. 14, p. 28 (another example exhibited and illustrated).
Ludwigshafen am Rhein, Wilhelm-Hack-Museum, Zeitspruenge, 1993, pp. 52-55 (another example exhibited and illustrated).
London, Anthony d'Offay Gallery, Jeff Koons: A Survey 1981-1994, June-July 1994 (another example exhibited).
Hamburg, Kunsthalle, Family Values: American Art in the Eighties and Nineties: the Scharpff Collection, 1996, p. 53 (another example exhibited and illustrated).
Paris, Galerie Jerome de Noirmont, Jeff Koons, September-November 1997 (another example exhibited).
Kunsthaus Bregenz, Jeff Koons, July-September 16, 2001, p. 17 (another example exhibited and illustrated).
Kunsthalle Bielefeld, Jeff Koons: Pictures 1980-2002, September- November 2002, pp. 54-57 (another example exhibited and illustrated).
Athens, DESTE Foundation Center for Contemporary Art, Monument to Now, June-December 2004, pp. 141, 214-215 (another example exhibited and illustrated).
Naples, Museo Archeologico Nazionale, Jeff Koons, June-September 2003, pp. 73-77 (another example exhibited and illustrated).
Oslo, Astrup Fearnley Museum of Modern Art, Jeff Koons: Retrospektive, September-December 2004 (another example exhibited).
Chicago, Museum of Contemporary Art, Jeff Koons, May-September 2008, p, 68 (another example exhibited and illustrated).
Berlin, Neue Nationalgalerie, Jeff Koons - Celebration, October 2008-February 2009, pp. 40-41, 102-103 (another example exhibited and illustrated).
Frankfurt, Schirn Kunsthalle, The Making of Art: the Art World and Its Players, May-August 2009, pp. 150, 153-154 and 157 (another example exhibited and illustrated).
London, Tate Modern; Hamburg, Hamburger Kunsthalle; Ottawa, The National Gallery of Canada, POP Life: Art in a Material World, October 2009- September 2010, pp. 39, 116-117 (another example exhibited and illustrated).
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June-October 2014, pp. 114, 116-177 (another example exhibited and illustrated).

Literature
Kunstverein Munchen e.V., Das konstruierte Bild, Munich, 1989, pp. 51-53 and 151-152 (another example illustrated).
Glenn O'Brien, "Koons Ad Nauseam," Parkett, no. 19, Zurich, 1989, p. 64 (another example illustrated).
Andrew Renton, "Jeff Koons and The Art of Deal," Performance, no. 61, September 1990, pp. 19, 20-29 (another example illustrated).
l. Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art, December 1992, p. 58 (another example illustrated).
The Jeff Koons Handbook, London, 1992, pp. 90, 93-95 (another example illustrated).
A. Muthesius, ed., Jeff Koons, Cologne, 1992, pl. 1-4, p. 98-102, (another example illustrated).
E. Cicelyn, M. Codognato, and E. Geuna, Jeff Koons, Naples, 2003, pp. 73-77 (another example illustrated).
K. D. Thomas, "The Selling of Jeff Koons," ArtNews, May 2005, no. 5, p. 119 (another example illustrated).
G. B. Kvaran, Jeff Koons: Retrospettivamente, Milan, 2007, p. 66 (another example illustrated).
H. Holzwarth, ed., Jeff Koons, Cologne, 2008, pp. 255, 257-259 (another example illustrated).
J. Shaughnessy, "Sex Sells: Art Publicity and Pop Life," Vernissage: The Magazine of the National Gallery of Canada, Spring 2010, p. 19 (another example illustrated).