Details
PABLO PICASSO (1881-1973)
Faune dévoilant une femme, from: La Suite Vollard
aquatint, 1936, on Montval laid paper, watermark Vollard, signed in pencil, from the edition of 260 (there was also an edition of fifty with wider margins), published by A. Vollard, Paris, 1939
Plate 314 x 416 mm.
Sheet 338 x 445 mm.
Provenance
With Martin Lawrence Gallery, New York (their label verso).
Acquired from the above by the present owner in 2000.
Literature
Bloch 230; Baer 609
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Lot Essay

In a room flooded with moonlight a god-like faun unveils a sleeping woman. Inspired by Rembrandt's etching Jupiter and Antiope, Faune devoilant une femme contains many autobiographical allusions to the artist's relationship with his lover Marie-Thérèse, whose powerful physical allure is so evocatively portrayed in the curvaceous figure of the sleeper. Unlike Rembrandt's Jupiter, who leers lecherously at Antiope, this faun gazes upon her, transfixed by her beauty and reaching out to caress the object of his desire. At the time this etching was made, Marie-Thérèse had given birth to their daughter, Maya, and it has been suggested that the etching is Picasso's nostalgic evocation of a passion now passing, irrevocably changed with the advent of parenthood. It is one of the most beautiful examples of the artist's graphic work, both lyrical and mysterious.

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