They are hot (Estan calientes) Plate 13 from: Los Caprichos

Price Realised USD 5,000

Estimate

USD 4,000 - USD 6,000

Closed: 23 Oct 2020

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FRANCISCO DE GOYA Y LUCIENTES (1746-1828)

They are hot (Estan calientes) Plate 13 from: Los Caprichos

Price Realised USD 5,000

Closed: 23 Oct 2020

Price Realised USD 5,000

Closed: 23 Oct 2020

Details Lot Essay Related Articles More from

FRANCISCO DE GOYA Y LUCIENTES (1746-1828)
They are hot (Estan calientes)
Plate 13 from: Los Caprichos
etching with burnished aquatint, drypoint and engraving, on laid paper, a very good impression from the First Edition, published by the artist, Madrid, 1799, the brilliant highlights contrasting particularly well with the dark background, especially the gestural burnishing on the figure in the foreground, framed
Plate: 8³⁄₈ x 5⁷⁄₈ in. (213 x 149 mm.)
Sheet: 11³⁄₄ x 8 in. (298 x 203 mm.)

Presumably Manuel Fernández Durán y Pando, Marqués de Perales del Río (1818-1886), Madrid.
Don Pedro Fernández-Durán (1846-1930), Madrid; with his stamp (Lugt 747b); presumably by descent from the above.
Don Tomas de la Maza y Saavedra (1896-1975); gift from the above.
With Herman Shickman Fine Arts, New York.
With Stuart Denenberg, Los Angeles.
Private American Collection; acquired from the above.

Delteil 50; Harris 48

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Lot Essay

‘[An explanatory text on the known as the] Ayala text of 1799-1803 is…clearly anti-clerical and specifically against monks: ‘Stupid monks stuff themselves in their refectories and make fun of the world; they have nothing to do but be hot (in heat)! Goya's three preparatory drawings for this work are also clarifying. One of these (Prado No. 443) draws an analogy between eating and sexual indulgence. Another (Prado No. 20), entitled: shows the monks being served a head on a platter, a still more explicit anti-clerical attitude. This scene appears even more horrifying because of the slanting smiles which both the fawner and the waiter address to the eaters whose haggard features are impervious to any expression of pleasure or satisfaction.’

Johnson, R. S., , R.S. Johnson Fine Art, Chicago, 1992, p. 52.