Lot 46
Lot 46
FRANCISCO DE GOYA Y LUCIENTES (1746-1828)

Correction (Correccion) Plate 46 from: Los Caprichos

Price Realised USD 3,750
Estimate
USD 3,000 - USD 5,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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FRANCISCO DE GOYA Y LUCIENTES (1746-1828)

Correction (Correccion) Plate 46 from: Los Caprichos

Price Realised USD 3,750
Register
Price Realised USD 3,750
Register
Details
FRANCISCO DE GOYA Y LUCIENTES (1746-1828)
Correction (Correccion)
Plate 46 from: Los Caprichos
etching with burnished aquatint, drypoint and engraving, on laid paper, a very good impression from the First Edition, published by the artist, Madrid, 1799, the burnished highlights particularly brilliant, framed
Plate: 838 x 534 in. (213 x 146 mm.)
Sheet: 1134 x 8 in. (298 x 203 mm.)
Provenance
Presumably Manuel Fernández Durán y Pando, Marqués de Perales del Río (1818-1886), Madrid.
Don Pedro Fernández-Durán (1846-1930), Madrid; with his stamp (Lugt 747b); presumably by descent from the above.
Don Tomas de la Maza y Saavedra (1896-1975); gift from the above.
With Herman Shickman Fine Arts, New York.
With Stuart Denenberg, Los Angeles.
Private American Collection; acquired from the above.
Literature
Delteil 83; Harris 81
Brought to you by
Richard Lloyd
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.View condition report

Lot Essay

Biblioteca Nacional text: ‘Malicious people of all types and conditions, shop-keepers, friars and villains, appear to desire correction (in their lives) when some monk is preaching: but soon they go back to their old ways because we do everything by imitation.’
The insinuation is that when the various religious orders have finished speaking, they thereupon fall back into their old decadent ways as does the public which does everything ‘by imitation’.

Johnson, R. S., Francisco Goya, Los Caprichos, R.S. Johnson Fine Art, Chicago, 1992, p. 118.

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Condition report

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