拍品 50
拍品 50
FRANCISCO DE GOYA Y LUCIENTES (1746-1828)

The Chinchillas (Los Chinchillas) Plate 50 from: Los Caprichos

成交价 USD 3,750
估价
USD 3,000 - USD 5,000
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FRANCISCO DE GOYA Y LUCIENTES (1746-1828)

The Chinchillas (Los Chinchillas) Plate 50 from: Los Caprichos

成交价 USD 3,750
登记
成交价 USD 3,750
登记
详情
FRANCISCO DE GOYA Y LUCIENTES (1746-1828)
The Chinchillas (Los Chinchillas)
Plate 50 from: Los Caprichos
etching with burnished aquatint, drypoint and engraving, on laid paper, a very good impression from the First Edition, published by the artist, Madrid, 1799, framed
Plate: 8 x 578 in. (203 x 149 mm.)
Sheet: 1134 x 8 in. (298 x 203 mm.)
来源
Presumably Manuel Fernández Durán y Pando, Marqués de Perales del Río (1818-1886), Madrid.
Don Pedro Fernández-Durán (1846-1930), Madrid; with his stamp (Lugt 747b); presumably by descent from the above.
Don Tomas de la Maza y Saavedra (1896-1975); gift from the above.
With Herman Shickman Fine Arts, New York.
With Stuart Denenberg, Los Angeles.
Private American Collection; acquired from the above.
出版
Delteil 87; Harris 85
荣誉呈献
Richard Lloyd
佳士得专家或会联络阁下,以商讨此拍品,又或于拍品状况于拍卖前有所改变时知会阁下。浏览状况报告

拍品专文

Prado manuscript: ‘He who hears nothing, knows nothing and does nothing belongs to the numerous family of the Chinchillas which has never accomplished anything.’

‘In the case of this Capricho, the Ayala text of 1799-1803 rather unusually is less specific than the Prado text in that it does not refer directly to ‘Los Chinchillas’: ‘Those idiots, who pride themselves on their nobility, let themselves go to laziness and superstition. They close off their understanding with padlocks while they are grossly fed by Ignorance’. The ‘Chinchillas’ to which the given title of this work refers, concerns a play written by José de Cahizares El Dömine Lucas in which a family named Chinchilla attaches an extraordinary importance to its family's noble background. In Goya's preliminary drawing (at the Prado) and in the final etching, two apparent members of the totally decadent Chinchilla family each with his ears padlocked, are being spoon-fed. The two nobles are totally encased and weighted down by their coats-of-arms. Unable to move, they are given food (being unable to provide it for themselves) in the drawing by two apparent prostitutes and in the etching by a figure whose blindfold and donkey's ears could only represent Ignorance. A second drawing at the Prado is closest to the final etching. The clear subject here is what Goya and the Enlightened felt to be undeserved power through inherited titles.’

Johnson, R. S., Francisco Goya, Los Caprichos, R.S. Johnson Fine Art, Chicago, 1992, pp. 126-128.

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The Sleep of Reason: Francisco Goya's Los Caprichos
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