详情
FRANCISCO DE GOYA Y LUCIENTES (1746-1828)
They spruce themselves up (Se repulen)
Plate 51 from: Los Caprichos
etching with burnished aquatint, drypoint and engraving, on laid paper, a very good impression from the First Edition, published by the artist, Madrid, 1799, the subtle burnishing in the sky to the right still printing well, framed
Plate: 814 x 578 in. (210 x 149 mm.)
Sheet: 1134 x 8 in. (298 x 203 mm.)
来源
Presumably Manuel Fernández Durán y Pando, Marqués de Perales del Río (1818-1886), Madrid.
Don Pedro Fernández-Durán (1846-1930), Madrid; with his stamp (Lugt 747b); presumably by descent from the above.
Don Tomas de la Maza y Saavedra (1896-1975); gift from the above.
With Herman Shickman Fine Arts, New York.
With Stuart Denenberg, Los Angeles.
Private American Collection; acquired from the above.
出版
Delteil 88; Harris 86
荣誉呈献

拍品专文

Prado manuscript: ‘Keeping nails so long is so pernicious that it is even prohibited in Witchcraft.’

‘The meaning behind this etching could perhaps be better understood by referring to the preparatory drawing in the Prado in which the witch to the right is wearing a monk's habit. There is also a double meaning in the Spanish word ufias (nails). In an 1852 Spanish-English dictionary (compiled by Velazquez de la Cadena) we are told that hincar la ufia or meter la ufia means to overcharge or to sell at an exorbitant price. In this respect, the Ayala text of 1799-1803 is more explicit than that of the Prado: ‘Public officials who also are thieves excuse themselves and cover up one for another’. The Madrid Biblioteca Nacional text is even more specific: ‘Public officials who rob the State, help each other and sustain each other. Their leader raises up his neck (cuello) and hides them with his monstrous wings’. This phrase is perhaps more complicated in that the word cuello, besides ‘neck’, also can signify ‘the high collar of a priest's garment which perhaps brings us back to the monk on the right in the preliminary drawing at the Prado.’

Johnson, R. S., Francisco Goya, Los Caprichos, R.S. Johnson Fine Art, Chicago, 1992, pp. 128-130.

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The Sleep of Reason: Francisco Goya's Los Caprichos
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