详情
MAX BECKMANN (1884-1950)
Frauenbad ('Women's Bathhouse')
drypoint
1922
on Japan paper
signed in pencil, with an erased pencil inscription by the artist's hand underneath
a very fine proof impression of the first state (of two)
presumably one of the eight proof impressions of this state recorded by Hofmaier
printing with rich burr and a light, varied plate tone
with margins
some minor staining and foxing in the margins
Plate 43,7 x 28,6 cm. (171⁄8 x 111⁄4 in.)
Sheet 47,2 x 32 cm. (185⁄8 x 125⁄8 in.)
来源
Dr. Ernst Hauswedell, Hamburg, 26 November 1960, lot 179.
Acquired at the above sale; then by descent to present owners.
出版
J. Hofmaier, Max Beckmann - Catalogue raisonneé of his Prints, Bern, 1990, vol II, no. 234, pp. 594-597.
展览
Hayward Gallery, London, Neue Sachlichkeit and German Realism of the Twenties, November 1978 - January 1979, no. 13a, p. 139.
Hamburger Kunsthalle, Max Beckmann – Menschenorchester, August 1998 – January 1999 (no cat.).
Hamburg, Hamburger Kunsthalle, Max Beckmann: Zeichnungen und Druckgraphik aus der Sammlung Hegewisch, November 2005 - January 2007, no. 27, pp. 165 & 121, pl. 80 (ill.).
St Petersburg, State Hermitage Museum, Max Beckmann – Works from Museum and Private Collections of Hamburg and Lübeck, November 2007 - January 2008, no. 79 (ill.), p. 130.
拍卖场通告
Please note that a party with a direct or indirect interest in the lot who may have knowledge of the lot’s reserve or other material information may be bidding on this lot.
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拍品专文

Hofmaier described only one proof impression of the first state as printed on Japan paper, which once belonged to Beckmann's publisher Reinhard Piper and was signed and inscribed Probedruck Frauenbad 1. Zustand. The present impressions once bore a similar inscription, which was subsequently erased and partially overwritten with Beckmann's signature in German script and is no longer legible. Hofmaier records one other signed proof impression without specifying the paper type, formerly from a private collection in Hamburg, which may be the present one.

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