Details
GRETA CALDERA
Serendipity IV, Blades of grass, 2025
signed and inscribed 'SERENDIPITY IV, Blades of grass (2025) / G. Caldera' (on the reverse)
filler and acrylic on canvas
40 cm. high x 30 cm. wide
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Lot Essay

When we truly pause to observe the world around us, its beauty never ceases to amaze, a sentiment Kandinsky expressed from his earliest en plein air studies. In these works, the artist captured the spontaneous elegance of nature, guided by forms and colours that seemed to emerge directly from the landscape. This sensitivity to the visible continued to shape his creative path, gradually transforming into an inner and theoretical quest that, over decades of artistic exploration, ultimately led him to the discovery and embrace of abstraction. For Kandinsky, abstraction was not an escape from reality, but its sublimation: a way to reveal the invisible essence of things through the pure language of painting.

Inspired by the same interplay between observation and abstraction, The Serendipity Series emerged as an exploration of how randomness can generate harmony. Just as Kandinsky found structure within spontaneity, the series investigates how chance itself can become a compositional force. From sweeping landscapes to the tiniest details, everything perceived is shaped by random evolutionary processes that somehow result in a balanced and beautiful whole.

The series mirrors nature’s organic rhythm by blending intentional, reflective practice with the unpredictable. At its core lies a simple yet profound truth: to the human eye, nature is both chaotic and ordered, revealing the deeply subjective nature of perception. While the initial works focused on harmony and colour balance within a flat plane, more recent pieces introduce a three-dimensional element. The canvas is intentionally left unfinished, allowing the beauty of serendipity to transcend abstraction and re-enter tangible reality. These are fragments of the world… echoes of cities, walls, landscapes, and the spaces that surround us.

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