拍品 222
拍品 222
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Treasures of a Storied Manhattan Collection
A LOUIS XV GILTWOOD FAUTEUIL

CIRCA 1750

成交價 USD 23,750
估價
USD 12,000 - USD 18,000
估價並不反映實際成交價,亦不包括買家應付酬金、任何適用稅項或藝術家轉售權。詳情請瀏覽業務規定D部。
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A LOUIS XV GILTWOOD FAUTEUIL

CIRCA 1750

成交價 USD 23,750
登記
成交價 USD 23,750
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詳情
Upholstered à chassis with cartouche-shaped back, outcurved arms and serpentine seat, the frames carved with rocaille, acanthus and foliate-trails, on cabriole legs, covered in 18th century Beauvais tapestry
40 in. (101.6 cm.) high
來源
The Collection of Walter Kaye; Sotheby's, New York, 23 November 2009, lot 91.
特別通告
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.
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拍品專文

The Beauvais tapestry covering of the present lot is based on the fables of Jean La Fontaine (1621-1695), which were in turn based on Aesop's and Oriental fables. First published in 1668, La Fontaine's fables enjoyed enduring popularity and a second extended version was published in 1678-79, with a third addition in 1792-94. La Fontaine's works were produced by the Royal Beauvais Tapestry Manufactory. They first produced La Fontaine's fables in 1736 after a design by Jean-Baptiste Oudry (1686-1755), who had been employed by the manufactory since 1726 and took over its directorship in 1734. Although he was contractually bound to deliver six cartoons for tapestries every three years, Oudry's style dominated Beauvais so strongly during this period that the workshop ceased all re-weavings of other subject matter. Voltaire even dubbed the workshop 'the kingdom of Oudry'. The fables proved such a successful tapestry design that by 1777 the main series had been copied no less than sixteen times.

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