詳情
Of shallow breakfront form, with variegated green marble slab, the frieze inlaid as an entablature with single shallow drawer above two deep drawers flanked by canted angles on tapering cylindrical legs, with blue printed circular label 'ACCORSI PIETRO ANTICHITA/TORINO/VIA P...65' inscribed in ink 'doo 2/2/naaa[?]'
3512 in. (90 cm.) high; 37 in. (94 cm.) wide; 19 in. (48 cm.) deep
來源
Pietro Accorsi, Turin (according to paper label).
特別通告
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
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榮譽呈獻
Adrian Hume Sayer
佳士得專家或會聯絡閣下,以商討此拍品,又或於拍品狀況於拍賣前有所改變時知會閣下。瀏覽狀況報告

拍品專文

Giuseppe Viglione (1748-1823) was cabinet-maker to the Royal Court of Savoy. A native of Turin, Viglione was nephew of the celebrated Luigi Prinotto and as evidenced by his surviving body of work, he went on to become a highly accomplished ébéniste, joining the corporation circa 1781. He signed/marked many of his works with printed labels, on which he certified himself as Padrone Ebanista Approvato. He became the head of a small atelier and produced pieces for the Royal Court of Savoy, the first documented payments from these commissions dating from 1789. Specific invoices from 1794 refer to furniture delivered to the Queen’s apartment (1.650 Lire) including three wardrobes, and a number of demi-lune commodes (called di forma mezzo ovale) for the Castello di Rivoli. Viglione was still active in 1815 when Vittorio Emanuele I acceded the throne. His production is often characterised by a illusionistic Greek key marquetry used as a contrasting border to quarter-veneered drawers and a close variant of this is seen to this commode.

A demi-lune commode by Viglione with extremely closely related distinctive and finely drawn perspective parquetry decoration, notably a near identical frieze inlaid and mounted to simulate an entablature, similarly sans traverse diagonally veneered drawer-fronts and near identical inlaid cylindrical legs and with a marble top of apparently conforming stone and profile is illustrated in E. Colle, Il Mobile Neoclassico in Italia; Arredi e Decorazionei DInterni, Milan, 2005, fig. 425. A further related demi-lune commode exhibiting many of these features but of slightly simpler design, signed by Viglione, was sold, Christie's, New York, 21 October 2010, lot 150 ($50,000).


Post Lot Text

This lot incorporates material from endangered species which could result in export restrictions. Several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, please check the relevant customs laws before bidding on this lotif you intend to import this lot into another country. Please see the Conditions of Sale for further information.

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