拍品的状况可能存在极大差异，而由于其性质使然，拍品难以处于完美无瑕的状态。拍品均以拍卖时的状况出售。

In addition to the catalogue description, in generally good condition

VINCENZO AGNETTI, Speculazione: signed and dated '74' in ink, numbered 69/100, with the artist's copyright ink stamp and Multiples Inc., and Castelli Graphics, Inc. ink stamps on the reverse
soft scuffs in places in the black printed area
Sheet: 38¹⁄₂ x 26³⁄₈ in. (978 x 670 mm.)

ROY LICHTENSTEIN, Before the Mirror (C.136; R.L.C.R. 2334): signed and dated in pencil, numbered 69/100, with the artist's copyright ink stamp and Multiples Inc., and Castelli Graphics, Inc., ink stamps on the reverse
very soft scuffs in places in the image, occasional very soft handling creases (primarily visible in raking light), an area of discoloration at the reverse upper left sheet corner (not showing through)
Image: 35¹⁄₈ x 25 in. (892 × 635 mm.)
Sheet: 42⁵⁄₈ x 32¹⁄₈ in. (1083 × 816 mm.)

BRUCE NAUMAN, Tone Mirror (C.26): signed and dated '74' in pencil, numbered 69/100, with the artist's copyright ink stamp and Multiples Inc., and Castelli Graphics, Inc., ink stamps on the reverse
very pale toning to the sheet, a few very soft handling creases in the image (primarily visible in raking light)
Image: 28¹⁄₂ x 38³⁄₄ in. (724 x 984 mm.)
Sheet: 30¹⁄₈x 40 in. (765 × 1016 mm.)

JAMES ROSENQUIST, Echo Pale (G.92): signed, titled and dated in pencil, numbered 69/100, with the artist's copright ink stamp and Multiples Inc., and Castelli Graphics Inc., ink stamps on the reverse
very soft creases in places (primarily visible in raking light), foxmarks in places on the reverse (not showing through), the mirror with very minor occasional hairline scratches, a few fingerprints to the edges, label remain and two scuffs on the reverse (largest measuring 7-inches)
Glenn notes that this print is meant to be accompanied by a dimmer switch, lacking in this example (as seems to be common)
Sheet: 23³⁄₄ x 31³⁄₈ in. (603 × 797 mm.)
Mirror: 23 x 29¹⁄₂ in.

MARCEL BROODTHAERS, Comédie: signed, titled and dated '74' in pencil, numbered 69/120, with the artist's copyright ink stamp, and Multiples Inc., and Castelli Graphics Inc., ink stamps on the reverse
pinpoints of discoloration in places toward the sheet edges, a minor accretion at the lower sheet edge, splitting at the lower right sheet edge, skinning with associated staining and paper loss to reverse (not showing through)
Sheet: 25 x 18 in. (635 x 457 mm.)

ROBERT RAUSCHENBERG, Re-entry: initialed on both sheets and dated '74, numbered 69/100 to one sheet, with artist's copyright ink stamp and Multiples Inc., and Castelli Graphics, Inc., ink stamps on the reverse of one sheet
Left sheet: adhesive remains to edges of collaged element, a pale foxmark to the upper left, a very soft handling crease to the upper left (primarily visible in raking light), pale uneven toning to the reverse
Right sheet: very pale uneven toning at the sheet edges, two very soft handling creases at the upper right sheet corner (primarily visible in raking light)
Each sheet: 15 x 11¹⁄₄ in. (381 x 286 mm.)

MERRIT OPPENHEIM, Der verliebte Polyphem: with the artist's incised initials, numbered 69/100
faint hairline scratches throughout, slightly burnished areas at the edges, white accretion in places at the extreme upper edge
Overall: 18⁵⁄₈ x 7³⁄₈ in. (473 × 187 mm.)

SHUSAKA ARAKAWA, Test Mirror: signed and titled in pencil, numbered 69/100, with the artist's copyright ink stamp and Multiples Inc., and Castelli Graphics Inc., ink stamps on the reverse
two soft handling creases (primarily visible in raking light)
Sheet: 29³⁄₄ x 42³⁄₄ in. (756 × 1086 mm.)

RICHARD HAMILTON, Palindrome (L.94): Signed in felt-tip pen, numbered 69/100, numbered again on the reverse, with the artist's copyright ink stamp, and Multiples Inc., and Castelli Graphics, Inc., ink stamps on the reverse, mounted to the original support
inconsistencies to the surface
Overall: 28¹⁄₂ x 22¹⁄₂ x ³⁄₈ in. (724 × 572 × 10 mm.)

MAN RAY, Les grands trans-Parents: with the artist's incised signature, numbered 69/100
printing inconsistencies in places in the blue background, occasional hairline scratches in places
Overall: 25⁵⁄₈ x 19⁵⁄₈ in. (651 × 498 mm.)

Please note this lot consists of ten prints contained within the original wooden portfolio case.