The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

In addition to the catalogue description, each the full sheet or with full margins, pale surface soiling in places, handling wear, surface soiling, splitting and cracking to the original box

LEE BONTECOU, Untitled: screenprint, on cloth affixed to board and laid down to a support mat (as issued), signed in pencil, numbered 64/200, with the Tanglewood Press ink stamp on the reverse
the screenprint detached from the support in places
Sheet: 24 x 20 in. (610 x 508 mm.)

JASPER JOHNS, The Critic Sees (U.L.A.E. 39): embossing and screenprint, on acetate and Rives BFK paper, 1967, signed, titled and dated in pencil, numbered 64/200, with the Tanglewood Press blindstamp
pale discoloration in the subject, the acetate and embossed components lifting from the support (with associated dried adhesive remains), a soft diagonal crease and horizontal crease in the upper margin, occasional soft creases and foxmarks in places in the margins
Sheet: 24 x 20 in. (610 x 508 mm.)

DONALD JUDD, Table Object (S. 1): folded stainless steel multiple, signed in ink and numbered 64/200 on a label affixed to the underside
surface soiling throughout (primarily on the underside), scuffs in places
Overall: 24 x 20¹⁄₈ x 2⁵⁄₈ in. (610 x 511 x 67 mm.)

ROY LICHTENSTEIN, Fish and Sky (C. 50): screenprint and silver gelatin photographic print mounted on three-dimensional lenticular offset lithograph, on white composition board with window mount (as issued), signed in pencil on the reverse of the lenticular offset lithograph, signed again on the original composition board, numbered 64/200, with the Tanglewood Press ink stamp on the reverse
the lenticular offset lithograph lifting from the original mount (with associated adhesive remains)
Sheet: 23⁷⁄₈ x 20 in. (607 x 508 mm.)

ROBERT MORRIS, Model: vacuum-formed green plastic multiple, with the artist's incised signature and numbered 64/200 on the underside
minor handling wear and occasional scuffs in places, rubbing and occasional minor scratches in places to the high points
Overall: 19¹⁄₄ x 23¹⁄₈ x 5/8 in. (489 x 587 x 16 mm.)

LARRY POONS, Untitled: lithograph in colors, on wove paper, signed in pencil, numbered 64/100, with the Tanglewood Press blindstamp
occasional soft handling creases in places in the margins, pale toning on the reverse left sheet edge (not showing through)
Sheet: 24 x 20 in. (610 x 508 mm.)

JAMES ROSENQUIST, Sketch for Forest Ranger: screenprint in colors, on fringed plastic film with Perspex, with the artist's incised signature and date, numbered 64/200
the fringe slightly bent
Each component (flat): 24 x 19³⁄₄ in. (610 x 501 mm.)

FRANK STELLA, Fortin de las Flores I (A. 0): screenprint in colors with pencil additions, on English Vellum graph paper, initialed and dated in black felt-tip pen, numbered 64/200, with the Tanglewood Press blindstamp
occasional creases in places (primarily toward the sheet edges)
Sheet: 18¹⁄₈ x 23 in. (460 x 584 mm.)

ANDY WARHOL, Portraits of the Artists (F. & S. 17): screenprints on 100 polystyrene boxes in ten colors, with the artist's incised initials on the light blue box with Warhol's portrait, numbered 64/200
scuffs and surface soiling in places, occasional adhesive remains in places
Overall: 20 x 20 x 3/4 in. (508 x 508 x 19 mm.)

Please note this lot consists of nine prints and multiples in the original portfolio box