The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

In addition to the catalogue description, in very good condition

Agnetti,Speculazione: signed and dated in ink, numbered 'AP XXII/XXX', with the artist's copyright ink stamp and Multiples, Inc., and Castelli Graphics, Inc., ink stamps on the reverse
occasional soft scuffs in places
Sheet: 38¹⁄₂ x 26³⁄₈ in. (978 x 670 mm.)

Beuys, Mirror Piece (S. 164): signed in pencil on a label affixed to the underside, numbered 'IV/XXX' (an artist's proof), with the artist's copyright ink stamp and Multiples Inc., and Castelli Graphics, Inc. ink stamps on the underside of the cardboard container
very occasional scuffs to the bottle and the carboard container, otherwise in very good condition
Overall: 7¹⁄₂ x 4 in. (diameter) (190.5 x 101.6 mm.)

Arakawa, Test Mirror: signed, titled and annotated 'artist's proof' in pencil, with the artist's copyright ink stamp and Multiples, Inc., and Castelli Graphics, Inc., ink stamps on the reverse
Sheet: 29³⁄₄ x 42⁷⁄₈ (756 x 1089 mm.)

Broodthaers, Comédie: signed, titled and dated in pencil, numbered 'XXII/XXX'
very pale time staining, otherwise in very good condition
Sheet: 25 x 18 in. (635 x 457 mm.)

Hamilton, Palindrome (L. 94): signed in felt-tip pen and numbered 'AP III/XI' (an artist's proof), with the artist's copyright ink stamp on the reverse, also with the Multiples, Inc., and Castelli Graphics, Inc., ink stamps on the reverse, mounted to the original support
minor unobtrusive printing inconsistencies in places
Overall: 28¹⁄₂ x 22¹⁄₂ in. (724 x 572 mm.)

Lichtenstein, Before the Mirror (C. 135; R.L.C.R. 2334): signed and dated in pencil, numbered 'AP 22/30', with the artist's copyright ink stamp and Multiples, Inc., and Castelli Graphics, Inc., ink stamps on the reverse
a very soft handling crease in the left margin, a scuffed area in the matte black ink
Sheet: 35¹⁄₄ x 25 in. (895 x 635 mm.)

Nauman, Tone Mirror (C. 26): signed and dated in pencil, annotated 'AP', with the artist's copyright ink stamp and Multiples, Inc., and Castelli Graphics, Inc., ink stamps on the reverse
soft handling creases in places,
Image: 28¹⁄₂ x 38³⁄₄ in. (724 x 984 mm.)
Sheet: 30¹⁄₄ x 40 in. (768 x 1016 mm.)

Oppenheim, Der verliebte Polyphem: with the artist's incised signature, numbered XXI/XXX
occasional hairline scratches and burnished areas in places at the edges
Overall: 18³⁄₄ x 7³⁄₈ in. (476 x 200 mm.) (irregular)

Man Ray, Les grands trans-Parents: with the artist's incised signature, numbered 'E.A.'
pale surface soiling throughout, occasional hairline scratches in the center image
Overall: 25⁵⁄₈ x 19⁵⁄₈ in. (651 x 498 mm.)

Rauschenberg, Re-entry: initialed on both sheets and dated '74' in pencil, numbered 'AP 22/30'
Each Sheet: 15 x 11¹⁄₄ in. (381 x 286 mm.)

Rosenquist, Echo Pale (G. 92): signed, titled and dated in pencil, on watermarked HMP paper, numbered 'A.P. 22/30', with the artist's copyright and Multiples Inc and Castelli Graphics, Inc ink stamps on the reverse
the mirror with very occasional hairline scratches in places, label remain on the reverse
Glenn notes that this print is meant to be accompanied by a dimmer switch, lacking in this example (as seems to be common)
Mirror: 23¹⁄₈ x 29¹⁄₂ in. (587 x 749 mm.)
Sheet: 23³⁄₄ x 31³⁄₄ in. (603 x 806 mm.)

Please note this lot consists of ten prints contained within a portfolio case and one multiple.