WORKS OF ART FROM THE ANTHONY AND MARIETTA COLERIDGE COLLECTION (LOTS 177-257)
MARTIN BATTERSBY (1914-1982)
Trompe l'oeil (Sphinx)
Important information about this lot
Price Realised GBP 4,410
Estimate
GBP 3,000 - GBP 5,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
This lot is offered by Christie Manson & Woods Ltd
Christie Manson & Woods Ltd
8 King Street, St. James's, London, SW1Y 6QT, United Kingdom
Phone: +44 (0)20 7839 9060
Fax: +44 (0)20 7839 2869
Brought to you by
Benedict WinterDirector, Specialist
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
Lot Essay
The present work is composed with images from Anthony Coleridge's collection, including the bronze of Sleeping Ariadne, lot 246 and the English ormolu mounted cassolette, part lot 234.
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You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Oil on canvas. Examined within the frame. On close inspection, some light frame abrasion to the extreme edges in places, predominantly visible at lower extreme edge and extreme corners, visible in the online illustration. Viewed in raking light, there is a very faint stretcher bar mark at the upper left edge, and a further line to the canvas at the lower left corner. Some surface dirt. Examined under ultraviolet light, there is some fluorescence to the extreme edges, corresponding to the aforementioned frame abrasion. Some further very light instances along the upper horizontal edge and within the sphinx postcard in the upper right corner. Subject to the above the work appears to be in very good overall condition.