Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
Willem van Mieris trained in the workshop of his father, the celebrated Liede fijnschilder (Leiden fine-painter), Frans van Mieris. Like Frans, Willem painted enamel-like surfaces and utilized dramatic reflections of light to enliven his compositions. Willem tended to focus more on religious subjects, staffed with figures in classical palatial settings, such as the one seen in the present work. The biblical story of Joseph and Potiphar's wife was one of Willem's favored subjects, and one to which he returned on numerous occasions including the paintings in the Wallace Collection, London (inv. no. P163) and in the Staatliche Kunsthalle Karlsruhe (inv. no. 276). These latter works include a small dog, perhaps meant to be read as a symbol of Joseph's faith and fidelity and a reminder that those who can avoid the temptation of sin will ultimately be rewarded.
Related Articles
Sorry, we are unable to display this content. Please check your connection.
More from
Modern Medici Part II: Selections from a New York Collection
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
This painting is executed on a panel which has been marouflaged to a secondary support panel, which is further secured by a cradle on the reverse. The paint layer is stable under a clear varnish, which nicely saturates the colors. Pentimenti are visible around Joseph's proper left foot, as seen in the catalogue image. An uneven craquelure is visible across the surface. In natural light restorations to the background architecture are visible. Additional restorations in Joseph's blue tunic are detectable by the unassisted eye. A small damage can be seen at in the draped bed canopy, but has been nicely restored. Inspection under ultraviolet light revealed some additional restorations in the flesh tones of both figures, to the red velvet be linens, to the drapery folds in the canopy, and to the darkest area of shadows in the architecture at far left. Further inspection with a UV lamp is hindered by an opaque varnish. The painting should be hung as is offered in a typical Dutch-style frame.
Cost calculator
Lot 1Sale 22205
Joseph and Potiphar's wifeWILLEM VAN MIERIS (LEIDEN 1662-1747)Estimate: USD 60,000 - 80,000
Enter your bid amount for an estimated cost
Bid amount
Please enter numbers onlyAmount must be higher than the starting bidAmount must be higher than the current bid
Buyer's premium
Loss, damage and liability
Shipping
Estimated Excise Duty
Artist Resale Royalty
Estimated total cost exclusive of customs duties/charges and tariffs